All posts by Gael GERARD

step by step from trip to trip

 Step by step,   
from trip to trip,
in a circus circle
que le sable encense
the rumor raises the curtains of the show.

colorful entrance,
noisy barnum,
raised dust
of the animal procession,
passions of the soul
raised to the pinnacles of the temples
to dismantle,
to make sense
and transform.

Of blood and colors,
the furious cries of the Erinyes
have destroyed the landscapes of childhood,
the clay lips of springs
have made way
with cement nozzles,
the stone of the protections has been torn out,
the hedges have been cut down,
filled ditches,
the silver fox
will no longer find the center,
an evil wind blows the lumps of earth
towards the dry stone terraces,
an old ash tree whispers its last dispositions.
The night coos,
soul pigeons
overhanging
breaches of the human condition,
populist lies
replace the song of the poets,
the tracks of war engines
follow the iron shoes of the hairy,
the sky is darkening,
even the trees sculpted by the west wind
lay down in the storm.

The air is foul,
on the wailing wall
life papers
crumpled and forced
at the joints of the stones
covered in lichens
become panting flesh
of a random tzimtzum.

emaciated hands,
out of the pockets to match
scratch oblivion,
rolling eyes
clip the values ​​of the spirit,
a sour cream
clown smile makeup
our last wanderings.

The fury takes over
at night,
in silence,
made ugly by the passes of arms
fights and hatreds,
dappled by lifting
new harvests,
become a willing accomplice
of a shoddy renaissance.

There is officinal herbs
than those of spring,
collegiate herbs
of lovers' kiss
scattered
in search of the great upheaval,
a piece of bread
at the bottom of the bag,
water in the ciborium of alterities.

We will raise the Sound of ricochets,
pebbles thrown on the river,
accessible to asylum seekers,
coming out of our exile.


332

step by step from trip to trip – 1

   Step by step,   
 from trip to trip,   
 in a circus circle   
 that the sand insulates    
 the rumor raises the curtains of the show. 
    
 colorful entrance,   
 noisy barnum,   
 raised dust   
 of the animal procession,   
 passions of the soul   
 raised to the pinnacles of the temples   
 to dismantle,   
 to make sense   
 and transform.     

 Of blood and colors,   
 the furious cries of the Erinyes   
 have destroyed the landscapes of childhood,   
 the clay lips of springs    
 have made way   
 with cement nozzles,   
 the stone of the protections has been torn out,   
 the hedges have been cut down,   
 filled ditches,   
 the silver fox   
 will no longer find the center,   
 an evil wind blows the lumps of earth   
 towards the dry stone terraces,   
 an old ash tree whispers its last dispositions.     

 The night coos,   
 soul pigeons   
 overhanging   
 breaches of the human condition,   
 populist lies   
 replace the song of the poets,   
 the tracks of war engines   
 follow the iron shoes of the hairy,   
 the sky is darkening,   
 even the trees sculpted by the west wind   
 lay down in the storm.    
 
 The air is foul,   
 on the wailing wall   
 life papers   
 crumpled and forced   
 at the joints of the stones   
 covered in lichens   
 become panting flesh   
 of a random tzimtzum. 
     
 emaciated hands,   
 out of the pockets to match   
 scratch oblivion,   
 rolling eyes   
 clip the values ​​of the spirit,   
 a sour cream   
 clown smile makeup 
 our last wanderings.   
  
 The fury takes over   
 at night,   
 in silence,   
 made ugly by the passes of arms   
 fights and hatreds,   
 dappled by lifting   
 new harvests,      
 become a willing accomplice   
 of a shoddy renaissance.  
    
 There is officinal herbs   
 than those of spring,   
 collegiate herbs    
 of lovers' kiss    
 scattered    
 in search of the great upheaval,   
 a piece of bread   
 at the bottom of the bag,  
 water in the ciborium of alterities.  
   
 We will raise the Sound of ricochets,    
 pebbles thrown on the river,   
 accessible to asylum seekers,   
 coming out of our exile.  

   
332

four flower memory

   memory in apnea   
four flowers on the windowsill
little girl on all fours
afloat
of a shattered sun
by my brother, my friend, my son, my friend
associates
at dawn a blossoming almond tree
when the nail
strike out with a sharp line
the passage of summer
watchtower awakening
on the plain arranged
wise frontispiece
over the forest
attendant eye
without landing
thoughts
go up in return
this cathedral spire
bursting the heritage wicker basket
extent
on the sheet of origins
in the process of being
the hanging galoshes
at the ends of skinny legs
as you go
gold dust
hands erasing
the scepter of requirements
escaped lyrics
of a burst skin
suspicion of remembrances
without starvation
in this dark land
where women, men and children after the grapeshot
incense with their clarity
the armful of faded flowers
disheveled hair
to the sarcasm of spiked helmets
breaking the shins of bleached bodies
in the circus of an emergency evacuation
carts and bundles to match
my little girl
I will make fire
once again
tell you a bedtime story
silver foil
placed on the window sill
to float
on the sea of ​​memories
courtship ritual
white aperture
doors of love
to push with a tender gesture
far far from shore
the shadow of the colossal elm.


331

Sylvain Gerard . work 6 – the faun with the little chair

   Flew  
the young man with the cigarette
in this imbroglio of stairs
without the step appearing
in exchange for a small chair
sit it down what will people say
with his long fingers
throw the derision
sparingly
Trojan horse
break and enter
vincent's room
down the hall of expectations
the cat jumps on the table
hug the child's neck
severing with a terminal glance
the game of a thousand and one temptations
breaking nights oven
raised trembling
the paddle wheel of renewals
in the cool morning
nevertheless cauterized
buttercups of these thoughts
with haunting breath
waivers
at dock
without the train tearing the air
of its invertebrate stridency
accumulation of combustion waste
for in part
renew the ardent bending of the faun
in front of the chanting virgin.

Behind the window
winter trees
avoided deciding on the spot
words of love from a bygone past.


330

sylvain gerard . work 5 – the lost child of the caravanserai

 At the edge of the dream   
the father
hold out your hand
the mother
hands behind the back
the dog
close the trail
the child
hides.

In the distance a Dutch mill
first floor
the apartments are open
the columns support the arches
a milky white covers the walls
the horse is ready.

One !
monte
erase the treats
with a gesture
don't hold back death
be the wind in the cool of the clear morning
be the glower of your space
hiccups life
vermilion with a spasm
be heaven in glory
my child
my diamond of the moment
at the corner of the lips
point of smile
just the occasion for a cavalcade
just the friction with the eternal.

lightning bolt
you know the way
slowly
except for the interdicts
inclinations of the shadows.

Be
frozen at the calvary of the married
the target of truths
this piece of velvet
where to lay your head
eye to eye
before the tear.


317

An ash tree should be planted

 took a walk   
 Sur le chemin entre les blés   
 Piquetés de coquelicots, blueberries and daisies   
 Houppes céréalières  
 Que le vent peignait,    
 D'amples ondulations,    
 Vagues d'un océan bruissant
 Exhaussant le vert tendre des épis.   

 There was the gift of self   
 L'abandon à la nature   
 La vie dans son mystère   
 En sa sainte coquille   
 Au gré du sourire d'un soleil   
 Clignant des nuages   
 À mesure de son avancée.   

 There was the anchor   
 De la maison de pierres noires  
 Vaisseau familial arrimé 
 En bout d'horizon   
 Derrière la ruine des Matillou.
  
 there was heat   
 Du grand'père   
 Des parents   
 Des enfants    
 Tissant    
 Les paroles de sieste   
 Entre journal et tricot.   
      
 " Il faudrait planter un frêne pour avoir de l'ombre. "  

 It was done.   


329

Les cinq plumes de l’ange

 En descendant l'escalier  
 white marks on the glass   
 nightly posed in address.  
    
 Excluded from infinity   
 against space   
 vain forms of encounter   
 me font   
 extreme coldness   
 the pebbles of humility   
 stored in the box of secrets. 
     
 abandoned   
 and sign the route   
 in rainy weather   
 disheveled hair   
 make me angel feathers   
 through the porch   
 endless waiting.    
  
 Gather my tinsel   
 vêture divine   
 pour cacher ces blessures   
 I'm rebuffed   
 repressed, pixelated  
 out of transparent water   
 my only mirror. 
     
 I had done well   
 beautiful weddings were promised   
 my father would pick mushrooms   
 my mother would go around the church   
 my sisters in corsets dressed   
 would be the charm and the cure   
 on our carnival float.   
   
 Then came the verdict   
 shattered against the glass   
 the five feathers of the angel in reflection   
 marquant l'absorption par le néant   
 only the bottom of the pans remained   
 to scour for the expected dish   
 d'une l'enfance retrouvée.  

     ( photo by Caroline Nivelon ) 
 
327

face look

   face look   
call to those who come from the sea
raise the capital of ourdied knowledge,
to the one who breaks the mirror
will give back
in their place
old music,
chilly chords
shadow and light,
from dawn to dusk,
barefoot on wet sand,
my soul so soon come,
already gone,
golden arabesque,
I reach out my hand to the wind of expectations,
my little man,
sweet grassland flower of childhood.



328

in the forest of beautiful light

   Loose weeding   
stuck in the lock
in the vestibule of expectations
sweep away thoughts
without permissiveness.

long filaments
descending from the antlers
pendent last verbiage
the frills of excess
regurgitating childhood moments.

Sabir époumoné
against the wall of Thérèse's castles
the cries and bumps are gathered
at the stake
vain pleas.

in a thousand ways
ceremonial dress
swells before the storm
bubbles burst so soon
for obsolete protection.

frost point
just the novel of secret things
in front of eyes burned with Armenian paper
where to gird with light
late-comer nudity
this effort to share the necessary
this moment of doubt
in the hollow of escheat
this embodied journey of writing last.


326

Clean ripples

 Clean ripples  
 minuet on the carpet of dreams  
 the organist weighs down his notes  
 dust lifting  
 lace accumulation  
 middle break-in  
 from these places  
 rattling offer  
 of a moment of doubt  
 sitting on the stone bench  
 set back from the arm of the sea.  

 I hesitate and pray  
 in a hybrid way  
 we conjugated  
 the use of words  
 with the passage of time  
 tender scratch  
 offered in derision  
 to the overwhelming experience  
 full and loose  
 between flesh and moss.  


325